{"id":233,"date":"2016-05-20T13:54:25","date_gmt":"2016-05-20T13:54:25","guid":{"rendered":"https:\/\/lauranelegoff.com\/?p=233"},"modified":"2023-10-27T14:14:40","modified_gmt":"2023-10-27T14:14:40","slug":"dismantlement","status":"publish","type":"post","link":"https:\/\/lauranelegoff.com\/index.php\/2016\/05\/20\/dismantlement\/","title":{"rendered":"Volume and materials"},"content":{"rendered":"\n

Volume and materials<\/strong><\/h2>\n\n\n\n
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The origin of this project is a raincoat from the nineties. I dismantled it, arranged the pieces in a different order, and started to question the pattern as the matrice of something reproducible.<\/p>\n<\/div>\n\n\n\n

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Same pattern, three materials <\/strong><\/p><\/blockquote>\n\n\n\n

Due to the characteristics of each material, I assembled the pieces in different ways, trying to listen and understand the possibilities of it.<\/p>\n<\/div>\n\n\n\n

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The costumes that came out of this process question textures, transparency and stiffness.<\/p>\n\n\n\n

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2017 – Fiberglass, silicone, nylon bristle, nylon threads<\/em><\/figcaption><\/figure><\/div>\n\n\n
The work was completed by dance, video and sound performance. A dancer wore the costumes, her movements were impacted by them. The sound was a recording of each material. During the dance, I projected a video of the raw material used and transformed to create the clothes. That projection was an ornamental moving pattern of the costumes.<\/p>\n\n\n\n
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Research and development<\/strong><\/h2>\n\n\n